EDUCATION
BFA, School of Visual Arts, New York, NY 1995
Cooper Union, New York, NY 1994
SOLO EXHIBITIONS
| 2010 |
The Joy of
File, Zürcher Studio, New York |
| 2009 |
Jelly Harp,
Galerie Zürcher, Paris |
| 2008 |
Leyendecker
Gallery, Tenerife, Canary Islands |
| 2007 |
Swirly
Music, CANADA, New York, NY |
|
Brian
Belott Lost and Found Slide Show, Community Outreach Gallery, Ontario,
Canada |
| 2006 |
Deep Data,
Freight and Volume, New York, NY, with Michael
Mahalchick, Atelier Cardenas Bellanger, Paris, France |
| 2005 |
Books,
books, books, books, books, books and books, CANADA, New York, NY |
|
Adult Soda,
Stefan Stux, New York, NY |
| 2004 |
What’s
Going On, Kenny Schacter, New York, NY |
| 2003 |
Touching
Fantasy Through Color, CANADA, New York, NY |
GROUP EXHIBITIONS
| 2011 |
Salon
Zurcher, featuring Zurcher Studio, The Journal Gallery, Feature Inc.,
AVA |
|
Gallery,
Parker’s Box, The Proposition, Stephan Stoyanov Gallery.
Zurcher Studio, NY |
|
DADARHEA,
Canada Gallery, NY |
|
Cutters/Cork:
Contemporary Collage Exhibition, curated by James Gallagher, West Cork
Arts Centre, County Cork, Ireland |
|
POSTERMAT,
The Hole, NY |
| 2010 |
Philadelphia
Out of Phase, curated by Justin Samson, Bodega, Philadelphia, PA |
|
The NY Art
Book Fair, MoMA PS1 in The Classroom, NY |
|
Consider
the Oyster, curated by Ingrid Dinter, James Graham and Sons, NY |
|
Salad Days,
The Journal, Brooklyn, NY |
|
De-Nature,
Jolie Laide Gallery, Philadelphia, PA |
|
Out of
Order, curated by Scott Hug, Andrew Edlin Gallery, New York, NY |
|
Kook Books,
Bravinlee, NY |
|
Mutant Pop,
curated by Dearraindrop and Brandon Joyce, Loyal Gallery, Malmo, Sweden |
|
August
Group Show, co-curated by Eddie Martinez, Guerrero Gallery, San
Francisco, CA |
|
Lost
Horizon/Head Shop, curated by Billy Miller, Exile, Berlin |
|
Don’t
Jump Eyes Up, curated by Julie Ryan, Galeire BIGGER, Vienna |
| 2009 |
Wild
Feature 2 curated by Brian Belott, Galerie Zürcher, Paris, France |
|
Relics From
the Other Realms curated by Athena Llewellyn Barat for the Barat
Foundation, Newark, NJ |
|
What’s
Bin Did and What’s Bin Hid curated by Ryan Steadman, 106 Green
Gallery, Brooklyn, NY |
|
Cutters
curated by James Gallagher, Cinders Gallery, Brooklyn, NY
|
|
The Soho
Art + Fashion Event at 7 For All Mankind curated by John Connelly, New
York, NY
|
|
New York
Minute curated by Kathy Grayson, Macro Future, Rome, Italy
|
|
Apartment
Show curated by Denise Kupferschmidt and Joshua Smith, Envoy Gallery,
New York, NY
|
|
The Living and the Dead, Gavin
Brown, New York, NY |
|
Wild
Feature curated by Brian Belott, Zürcher Studio, New York, NY
|
|
Loving
Overkill Via Satellite directed and choreographed by Larissa Velez,
Dance Theater Workshop, New York, NY
|
|
No
Sockpuppet curated by Michael J. G. Olsen, The Switch Building, New
York, NY |
|
Rare
Editions: The Book As Art curated by Susan Fleminger, Lehman College
Art Gallery, Bronx, NY |
|
Peanut
Gallery curated by Joe Bradley, The Journal Gallery, New York, NY |
| 2008 |
Book /
Shelf Museum of Modern Art, New York, NY |
|
I
Won’t Grow Up, Cheim & Read, New York, NY |
|
Show #16:
Ed Blackburn + Brian Belott, and/or gallery, Dallas, TX |
|
Sunshine
Ritter/Zamet at Rental Gallery, New York, NY |
|
The Ice
Cream Show, LOYAL, Stockholm, Sweden
|
2007
|
Bits and
Pieces: The Collage Impulse, Lehman College Gallery, Bronx, NY
|
|
Cabinet of
Curiosities, The Journal Gallery, New York, NY
|
|
What Glue
Do You Use?, Atelier Cardenas Bellanger, Paris, France
|
|
Group show
at Ritter/Zamet, London, England
|
2006
|
Collage
Party, Zieher Smith, New York, NY
|
|
CANADA,
CounterGallery, London, England
|
|
Frisky
Flaming Hot, Galleri Christina Wilson, Copenhagen, Denmark
|
|
(CANA)RICO?,
Galeria Comercial, San Juan, Puerto Rico
|
|
Available,
curated by Angela Dufresne and Monya Rowe, Monya Rowe Gallery, New
York, NY
|
|
Searching
for Love and Fire, David Castillo Modern & Contemporary Art, Miami,
FL
|
|
Welcome
Home, Galleri Loyal, Stockholm, Sweden
|
|
Personal
Assistance DNA Gallery, Provincetown, MA
|
|
You have to
be almost gifted to do what I do Alexander and Bonin, New York, NY
|
|
Deep Data
Freight and Volume, New York, NY
|
|
With
Michael Mahalchick, Atelier Cardenas Bellanger, Paris, France
|
| 2005 |
Hanging by
a Thread, The Moore Space, Miami, FL
|
|
WITH US
AGAINST REALITY, OR AGAINST US!, curated by Ida Ekblad and Anders
|
|
Nordby,
Willy Wonka Inc., Oslo, Norway and Galleri S.E, Bergen, Norway
|
|
Everybody
Knows This Is Nowhere, Galleri Loyal, Stockholm, Sweden
|
|
Put it in
Your Mouth..., Rivington Arms, New York, NY
|
|
Precious
Moments, Joymore, Brooklyn, NY
|
|
In Deep
Water, Dinter Fine Art, New York, NY
|
|
New
York’s Finest, CANADA, New York, NY
|
2004
|
Where do we
come from? What are we? Where Are we going?, Champion Fine Art, Los
Angeles, CA
|
|
California
Earthquakes, Daniel Reich Gallery, New York, NY |
|
Rowdy
Remix, ATM Gallery, New York, NY |
|
Majority
Whip, White Box, New York, NY |
|
Word of
Mouth, A Selection: Part I, Dinter Fine Art, New York, NY |
| 2003 |
Art Band,
Capitale, a Kenny Schacter/Rove Project, New York, NY |
|
You Are My
Sunshine/You Is My Sunshine, CANADA, New York, NY |
| 2002 |
Black Out,
Space 1026, Philadelphia, PA |
| 2000 |
Full Serve,
a Kenny Schacter Project, New York, NY |
| 1997 |
OY, a Kenny
Schacter Project, New York, NY |
| 1995 |
Performance
with Lucio Pozzi, New York, NY |
BIBLIOGRAPHY
| 2009 |
"Les
voyages psychédéliques de Brian Belott", Valérie
de Maulmin, Connaissance des Arts, April |
|
"Brian
Belott", Sophie de Santis, Figaroscope, April. 29 |
| 2008 |
“Brian
Belott” Galleries, Downtown, The New Yorker, Jan. 14 |
| 2007 |
Carlin,
T.J., “Brian Belott: Swirly Music”, Time Out, Dec. 26
(illus.) |
| 2006 |
Connor,
Martin, "CANADA", Time Out London, April 11 |
|
Hornung,
Peter Michael,“Ny amerikansk kunst hos Wilson”, Politiken,
March 17 |
|
Scavenius,
Bente, “Ny international kunst på de unge gallerier”,
Børsen, Mar. 31 |
|
Ross,
Trine, “Afrevne lemmer og totempæle”, Politiken,
March 24 |
| 2005 |
Saltz,
Jerry, “Ups and Downs”, Village Voice, September 23 |
|
Smith,
Roberta, “Adult Soda”, Art in Review, The New York Times,
September 22
|
|
“Adult
Soda”, The New Yorker, September 26
|
|
“Precious
Moments”, The New Yorker, August
|
|
Cotter,
Holland, “Precious Moments”, Art in Review, New York Times,
August
|
|
Cotter,
Holland, "Fanciful to Figurative to Wryly Inscrutable", The New York
Times, July 8
|
| 2004 |
Saltz,
Jerry, "Termite Theory", The Village Voice, June 20
|
|
Smith,
Roberta, “Brian Belott ’What’s Going
On’”, Art In Review, The New York Times, June 4
|
| 2003 |
Cotter,
Holland, “Sarah Braman and Brian Belott”, The New York
Times, October 31
|
|
Schambelan,
Elizabeth, “You Are My Sunshine/You is My Sunshine”,
ArtForum.Com, Critics Picks, June
|
|
Smith,
Roberta, In The Galleries, “a Grand Finale of Group Show
Fireworks”, The New York Times, July 18 |
PUBLICATIONS
Wipe That Clock Off Your Face, Picturebox and CANADA, New York, NY, 2007
Loyal and His Band, Loyal & Galleri Loyal, Stockholm, Sweden, 2005
PUBLIC COLLECTIONS
Museum of Modern Art, New York, NY
|