EDUCATION
| BA
Bryn Mawr College, PA |
| MFA
State University of New York, Purchase, NY |
SELECT SOLO EXHIBITIONS
| Edward
Thorp Gallery, New York, NY (February) 2007 |
| Sarah
Bowen Gallery, Williamsburg Brooklyn, NY 2005 |
| Aucosisco
Gallery, Portland, ME 2005 |
| ICON
Contemporary Art, Brunswick, ME 2004 |
| Canaday
Gallery, Bryn Mawr College, Bryn Mawr, PA 2002 |
| ICON
Contemporary Art, Brunswick, ME 2001 |
| Galapagos,
Williamsburg, Brooklyn, NY 2000 |
| ICON
Contemporary Art, Brunswick, ME 1999 |
| Farnsworth
Museum, Rockland, ME 1996 |
| David
Beitzel Gallery, New York, NY 1994 |
| ICON
Contemporary Art, Brunswick, ME 1993 |
| Bernard
Toale Gallery, Boston, MA 1993 |
| Zolla/Lieberman
Gallery, Chicago, IL 1992 |
| Victoria
Munroe Gallery, New York, NY 1991 |
| Ohio
State University, Columbus, OH 1991 |
| Victoria
Munroe Gallery, New York, NY 1990 |
BIBLIOGRAPHY
| Albee,
Edward. Sooner or Later: Edward Albee’s Eye,
Brookville NY: Hillwood Art Gallery,
Long Island University, exhibition catalogue,
1990, pp. 8-9
(illustrated-color) |
| Artner,
Alan. “Katherine Bradford Paintings,”
CHICAGO TRIBUNE, February 6, 1992 (photo) |
| Bonetti,
David. Review, THE BOSTON PHOENIX, July 7, 1989 |
| Braff,
Phyllis. “In the Choices of Albee, Imagination
Prevails,” NEW YORK TIMES,
Sunday, February 11,
1990 (photo) |
| Carrier,
David. “Katherine Bradford,” ART
INTERNATIONAL, Spring, 1990 (photo) |
| Connor,Jill.
“Nice and Wet,” Artnet.com Magazine
Reviews, Spring, 2003 |
| Cyphers,
Peggy. “Katherine Bradford,” ARTS
MAGAZINE, January, 1990 (photo) |
| Fleming,
Lee. “Nothing but the Best,” THE
WASHINGTON POST, February 12, 1994
|
| Fyfe,
Joe. “Art Review” Katherine Bradford at Sarah
Bowen Gallery, ARTINAMERICA, May 20,
2005 |
| Greenleaf,
Ken. Review: Farnsworth Art Museum, ART NEW ENGLAND,
October/November 1999 (photo) |
| Heartney,
Eleanor. “American Art Today: New
Directions” The Art Museum,
Florida International
University,
Miami, FL (Catalogue essay; illus. color) |
| Hirsch,
Faye, catalogue essay, “Deja Vu,” Brooklyn,
NY |
| Holliday,
Frank, “The Magic of Light at Night,” GAY
CITY NEWS, Jan 27-Feb 2, 2005
(photo) |
| Johnson,
Ken, “Summer Sustenance” NEW YORK TIMES,
July 15, 2005
|
| Kalm,
James. “Katherine Bradford, Ether Nights” THE
BROOKLYN RAIL, February 2005 (photo) |
| Kohen,
Helen. “Review:’New
Directions,’” THE MIAMI HERALD, January
13, 1991, (photo) |
| La
Rocco, Ben, “Review, Home,” THE BROOKLYN
RAIL,” April, 2004 |
| Licata,
Elizabeth. “Small Wonders,” The Buffalo
News, April 9,1993 |
| Lindall,
Terrance. “Brooklyn Now,” NY Arts
Magazine, March, 2002 (photo) |
| Lombardi,Dominick
D. “Inaugural exhibition for Gallery in Beacon,”
The New York
Times, April 22, 2001 |
| Maine,
Stephen, “Ether Nights at Sarah Bowen
Gallery” Artnet, February
2005 (photos) |
| Myles,
Eileen. “Katherine Bradford at David Beitzel
Gallery,” ART IN AMERICA,
June 1993 (photo) |
| New
Yorker, Art Review, July 16, 2001 |
| NYARTS,
“Water,Water Everywhere,” April 14, 2003 |
| Pleasants,
Craig. "Ten from Brooklyn,” ART PAPERS MAGAZINE, July-August
1999 |
| Portland
Museum of Art Biennial, Portland Museum of Art, Portland,
ME
(exhibition catalogues, 2001, 2003 and 2005) |
| PRINT
COLLECTOR’S NEWSLETTER. “Katherine Bradford
Monotypes,” May/June 1993 |
| Raynor,
Vivien. “Grappling with Feminism and
Femininity,” NEW YORK TIMES,
March 21, 1993,
(photo) |
| Servetar,
Stuart. “Review,” NY PRESS, September 13,
1995 |
| Smith,
Roberta. “Katherine Bradford,” NEW YORK
TIMES, Friday, October 27, 1989 |
| Stapen,
Nancy. “Painters Stretch the Possible,” THE
BOSTON GLOBE, November 11, 1993 |
| Thompson,
Chris, Bradford’s Swim Paintings at
Aucocisco,” Phoenix, May 20-26,
2005 (photo) |
| Thompson,
Chris, “Review,” ART NEW ENGLAND, Nov
2003 |
| Tate,
Haines Sprunt. “New Farnsworth Show Explores Harmony and
Dissonance,” MAINE
TIMES, April 1, 1996 (photo) |
| Taylor,
Robert. “DeCordova Summer Show Has Questing
Spirit,” THE BOSTON GLOBE, July
16, 1989 |
| Wei,
Lilly. "The Figure, Another Side of Modernism,” Snug
Harbor Cultural Center, Newhouse Center
for Contemporary Art, Staten
Island, NY (catalogue essay, 2000; p. 7,46,161,205, illustrated,
color) |
| Westfall,
Stephen. “Katherine Bradford,” ART IN
AMERICA, May 1990 (photo) |
AWARDS
| Purchase
Award, American Academy of Arts and Letters 2005 |
Pollock-Krasner
Foundation Grant Award, New York 2000
|
MUSEUM COLLECTIONS
| Metropolitan Museum
of Art |
| Brooklyn
Museum |
| Portland
Museum |
| Farnsworth
Museum |
| Bates
College Musuem |
| Bowdoin
College Musuem |
| Smith
College Museum |
TEACHING
| Pennsylvania
Academy of Fine Arts, MFA Faculty (1997 to present) |
| Fashion
Institute of Technology (FIT), New York, NY, (1995 to present) |
| SUNY
Purchase, Purchase, NY, (1994) |
|
 |
SELECT GROUP EXHIBITIONS
| 2006 |
“Everywhichway”
Edward Thorp Gallery, New York, NY |
|
“Katherine
Bradford, Steve diBenedetto, Kirsten
Deirup” Geoffrey Young Gallery, Great Barrington,
MA |
|
“Deja
Vu” curated by Faye Hirsch, Gallery 230,
Brooklyn, NY |
|
“Searching
for Love and Fire,” David Castillo
Gallery, Miami, FLA |
|
“Little
Women” curated by James Kalm, Dam
Stuhltrager Gallery, Williamsburg, Brooklyn, NY |
|
“The
Persistance of Memory” University Gallery,
Norfolk, VA |
|
Scope
Hamptons, Dam Stulhltrager, Wainscott, NY |
| 2005 |
Invitational
Exhibition of Painting and Sculpture, American Academy of
Arts and Letters, New York, NY |
|
“Summer
Sustenance, A Gourmand’s
Delight,” Edward Thorp Gallery, New York, NY |
|
“New
York’s Finest,” Canada, New York, NY |
|
NADA
Art Fair, ATM Gallery, Miami, FLA |
|
“Off
the Coast: A Landscape Chronology,” The
Collections Gallery, Bates College Museum of Art,
Lewiston, ME |
|
“The
Long View: Selections from the Norman B. Marin Collection”
The University of Maine Museum of Art,
University
of Maine, Bangor, ME |
|
Portland
Museum Biennial, Portland Museum, Portland, ME |
| 2004 |
“Home,”
curated by Bruce Brown, D.U.M.B.O. Arts
Center (dac), Brooklyn, NY traveled to University
of New England at
Portland, ME |
|
“Drawings”
curated by Barry Blinderman and Annie
Herron, University Galleries, Illinois State University,
Normal, IL,
traveled to Carlsbad Museum and Art Center, Carlsbad, NM |
|
“Surrealist
Drawings, Exquisite Corpses Today,”
Bowdoin College Art Museum, Brunswick, ME |
| 2003 |
“The
Lightness of Being,” Black & White
Gallery, New York, NY |
|
“Water,
Water,” curated by Lilly Wei, Rotunda
Gallery, Brooklyn, NY |
|
“Selections
from the Pierogi Flat Files,” curated
by Joe Arnheim, USM Art Gallery, University of Southern
Maine, Gorham,
ME |
|
“Volatile
Bodies,” curated by Carrie Powers,
University of the Arts, Philadelphia, PA |
| 2002 |
Project
Room, Bill Maynes Gallery, New York, NY |
|
“In
the Spirit of Landscape,” Neilson Gallery,
Boston, MA |
|
“Works
on Paper,” DFN Gallary, New York, NY |
|
“Past
Present Future,” Center for Maine
Contemporary Art, Rockport, ME |
|
“All
Drawing,” Gallery 831, University of the Arts,
Philadelphia, PA |
|
“The
Brooklyn Rail Presents,” curated by Phong Bui,
Williamsburg, Brooklyn, NY |
|
“Reactions,”
Exit Art, New York, NY |
| 2001 |
“Hidden
Identity,” Elizabeth Harris Gallery, New
York, NY |
|
“Wet!”
Luise Ross Gallery, New York, NY |
|
“Ripe
and Hazy,” Goliath Visual Space, Brooklyn, NY |
|
“Domestic
Culture,” curated by Mark Bessire,
Institute of Contemporary Art at Maine College of
Art, Portland, ME |
| 2000 |
"The
Figure: Another Side of Modernism,” Newhouse Center for
Contemporary Art, Snug Harbor Cultural
Center, Staten
Island, NY |
|
"The
Figure: Another Side of Modernism,” Newhouse Center for
Contemporary Art, Snug Harbor Cultural
Center, Staten
Island, NY |
|
“Living
Is Easy,” Richard Anderson Gallery, New
York, NY |
|
“Lasting
Impressions: Contemporary Prints from the Bruce
Brown Collection,” The Portland Museum
of Art, Portland, ME |
|
“Homage
to Albert Pinkham Ryder’ curated by Phong
Bui, State of the Art, Brooklyn, NY |
|
“On
Paper: Bradford, Jacquette, Hildreth, Mayers,”
Maine Art Gallery, Wiscasset, ME |
| 1999 |
“The
Passion/Passions of Art,” Richard Anderson
Gallery, New York, NY |
|
“Group
Show,” Rebecca lbel Gallery, Columbus, OH |
|
“Drawing
Show,” N3, Williamsburg, Brooklyn, NY |
|
“The
Flat Files,” Rosenwald-Wolf Gallery,
University of the Arts, Philadelphia, PA |
|
“Invitational,”
Tig Fill Gallery, Cork, Ireland |
| 1998 |
“Painting,”
N3, Williamsburg, Brooklyn, NY |
|
“New
York Drawers,” Gasworks Gallery, London,
England |
|
“Pierogi
Press,” Ronald Feldman Gallery, New York,
NY |
|
“Six
Chose Six,” Purchase College, S.U.N.Y,
Purchase, NY |
|
“Ten
from Brooklyn,” Second Street Gallery,
Charlottesville, VA |
| 1997 |
“Current
Undercurrent, Working in Brooklyn,”
Brooklyn Museum of Art, Brooklyn, NY |
|
“Art
on Paper,” Weatherspoon Art Gallery, The
University of North Carolina, Greensboro, NC |
|
“Intimate
Universe Revisited,” Robert Steele
Gallery, New York, NY traveled to Nina Freidheim Gallery,
Buffalo, NY |
|
“Modern
Prints,” Colby College Museum of Art, Colby
College, Waterville, ME |
|
“Relocating
Landscape East and West,” Caldwell
College, Caldwell, NJ |
| 1996 |
Gramercy
International Art Fair, Bernard Toale
Gallery,Gramercy Park Hotel, New York, NY |
|
“Grand
Salon,” Room, New York, NY |
|
“Pet
Paintings,” Bernard Toale Gallery Boston,
MA |
| 1995 |
“Other
Rooms,” Ronald Feldman Fine Arts, New York,
NY |
|
“Inaugural
Show,” Room, Thompson Street at Grand,
New York, NY |
|
Group
Show, Visual Arts Gallery at SUNY Purchase, Purchase College,
Purchase, NY |
| 1994 |
“Return
of the Cadavre Exquis,” The Drawing Center,
New York, NY |
|
“Small
and Wet,” Bernard Toale Gallery, Boston, MA |
|
“Katherine
Bradford and Frank Palaia,” Hartman
& White, San Diego, CA |
| 1993 |
“My/Self
...Your/Other: Contemporary Women Artists and the
Issue of Identity,” Castle Gallery,
College of New
Rochelle,
New Rochelle, NY |
|
“Childhood
Show,” Art in General, New York, NY |
|
“Inaugural
Show,” The Painting Center, New York, NY |
| 1992 |
“Invitational,”
David Beitzel Gallery, New York, NY |
|
“Relief
Prints by 15 New York Artists,” Michael
Walls Gallery, New York, NY |
|
“Group
Show,” Zolla/Lieberman Gallery, Chicago, IL |
|
“Intimate
Universe: Small Scale Abstract Painting,”
Michael Walls Gallery New York, NY |
|
“Home/
A Visual Dialogue,” Artspace, New Haven, CT |
|
“Shifting
Ground,” Stephen Rosenberg Gallery, New
York, NY |
| 1991 |
“American
Art Today: New Directions,” The Art
Museum, Florida International University Miami,
FL (catalogue,
illustrated ) |
|
“The
Painters,” Victoria Munroe Gallery, New York,
NY |
| 1990 |
“Art
on Paper,” Weatherspoon Art Gallery,
University of North Carolina At Greensboro, NC |
|
“Sooner
or Later, Edward Albee’s Eye,”
Hillwood Art Gallery, Long Island University, C.W. Post Campus,
Brookville, NY (catalogue, photo) |
|
“New
York Art 1990,” Tyler Art Gallery, State
University of New York, Oswego, NY |
|
“Selected
Works on Paper,” Victoria Munroe Gallery
New York, NY |
| 1989 |
“Traditions
in American Landscape,” Portland Museum
of Art, Portland, ME |
|
“Katherine
Bradford, Ernest Briggs, Emily
Nelligan,” Anne Weber Gallery Georgetown, ME
|
|
“Ten
Artists, Ten Visions,” DeCordova Museum,
Lincoln, MA |
|
“Invitational,”
Condeso Lawler Gallery New York, NY |
| 1988 |
“Katherine
Bradford, Laura Newman, Jean Feinberg, Elizebeth
Dworkin,” Victoria Munroe Gallery
New York, NY |
|
“Works
on Paper,” curated by Lyn Gumpert,
University Gallery, University of Delaware, Newark,
DE
(catalogue) |
|
“Katherine
Bradford/Don Voisine,” Art Gallery,
Kingsborough Community College, Brooklyn, NY
|
| 1987 |
Gallery
Artists, Victoria Monroe Gallery New York, NY |
|
“The
Anti-Ego Show,” Minor Injury Gallery,
Brooklyn, New York, NY |
|
“Recent
Painting and Sculpture,” Visual Arts
Gallery, State University of New York at Purchase, NY |
| 1986 |
“Black
and White Prevails: A Selection of Contemporary
Drawings,” Miami-Dade Community College,
Miami, FL
(catalogue) |
|
“Preludes,”
Victoria Munroe Gallery New York,
NY |
|