| 1948 |
Born, Evergreen Park, IL |
| 1970 |
Receives B.F.A, University of
Illinois, Champaign, IL |
ONE MAN EXHIBITIONS
| 2006
|
The
Artis Group, Palm Beach, Florida |
| 2004 |
Salander-O’Reilly
Galleries, New York, New York |
| 2001 |
Salander-O’Reilly
Galleries, New York, New York |
| 1999 |
Salander-O’Reilly
Galleries, New York, New York |
| 1995 |
James
Beard Foundation, New York, New York |
| 1990 |
Marguiles-Tapin
Gallery, Bay Harbor Islands, Florida |
| 1984 |
Hokin-Kaufman
Gallery, Chicago, IL |
|
Watson
de Nagy & Co., Houston, Texas |
| 1983 |
Martha
White Gallery, Louisville, Kentucky |
|
Salander-O’Reilly
Galleries, New York, New York |
| 1982 |
Hokin
Gallery, Chicago, Illinois |
|
Watson
de Nagy & Co., Houston, Texas |
| 1980 |
Swope
Gallery, Venice, California |
| 1979 |
Sarah
Y. Rentscheller Gallery, New York, New York |
| 1978 |
Sarah
Y. Rentscheller Gallery, New York, New York |
GROUP EXHIBITIONS
| 2005 |
Yellow
Bird Gallery |
| 2004 |
Zolla-Lieberman
Gallery, Chicago, Illinois |
| 2002 |
“L’Impronta
de Empoli,” Empoli, Italy |
| 2000 |
Gerald
Peters Gallery, Santa Fe, New Mexico |
| 1999 |
“Size
Matters,” Gale Gates Gallery, New York, New York |
|
Old
New York Gallery, New York, New York |
| 1998 |
Henry
Street Settlement House, New York/Old New York Gallery |
| 1997 |
Naples
Philharmonic, Naples, Florida |
|
Harris
Gallery, Houston, Texas |
| 1996 |
Freites-Revilla
Gallery, Boca Raton, Florida |
| 1994 |
Five-Points
Gallery, Chatham, New York |
| 1993 |
Jaffe-Baker
Gallery, Boca Raton, Florida |
| 1992 |
Margulies-Taplin
Gallery, Bay Harbor Islands |
| 1991 |
Jaffe-Baker
Gallery, Boca Raton, Florida |
| 1990 |
Gillman-Baker
Gallery, Boca Raton, Florida |
| 1986 |
Richard
Green Gallery, New York, New York |
| 1985 |
Hokin
Gallery, Palm Beach, Florida |
|
Watson
Gallery, Houston, Texas |
| 1984 |
Hokin
Gallery, Palm Beach, Florida |
| 1983 |
Hokin-Kaufman
Gallery, Chicago, Illinois |
| 1982 |
Martha
White Gallery, Louisville, Kentucky |
| 1981 |
Jeffrey
Fuller Fine Arts, Philadelphia, Pennsylvania |
|
Watson
de Nagy & Co., Houston, Texas |
|
Hokin
Gallery, Chicago, Illinois |
| 1980 |
Watson
de Nagy & Co., Houston, Texas |
| 1979 |
Watson-Willour
Gallery, Houston, Texas |
|
William
Edward O’Reilly Gallery, New York, New York |
| 1976 |
The
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut |
|
 |
CORPORATE COLLECTIONS
| Arthur
Anderson & Company, Chicago, Illinois |
| Chase
Manhattan Bank, New York, New York |
| Coopers
and Lybrand, Houston, Texas |
| Galleria
Bank, Houston, Texas |
| Galvaston
Houston Corporation, Houston, Texas |
| Gould
Corporation, Chicago, Illinois |
| Mesirow
Corporation, Chicago, Illinois |
| Quality
Steel Corporation, Chicago, Illinois |
| Quality
Steel Corporation, Chicago, Illinois |
| Union
Carbide, Chicago, Illinois |
| Westinghouse
Corporation, New York, New York |
| Wilkie,
Farr & Gallagher, New York, New York |
MUSEUM COLLECTIONS
| Graduate Center, City University
of New York, New York City, New York |
| Bucknell
University, Lewisberg, Pennsylvania |
| Ringling
Museum, Sarasota, Florida |
BIBLIOGRAPHY
Cotter,
Holland. New York, Arts Journal, April 1978
|
| Leonard,
Pam K. Art World, January 1979 |
| Moser,
Charlotte. Houston Chronicle, July 1979 |
| Towle,
Tony. Art in America, October 1980 |
| Klein,
Ellen Lee. Arts Magazine, December 1983 |
Kramer,
Hilton. “Critic’s Notebook: Pictoral
Dialogue,” Art and Antiques,
December 2001 |
Kramer,
Hilton. “Goldenberg’s Landscapes Look at Earth, Not
Sky,” New York
Observer, December 10, 2001 |
Kimball,
Roger. “Tom Goldenberg, Art without Apology.” In
Art’s Prospect: The
Challenge of Tradition in an Age of Celebrity. New York: Cybereditions,
2002
“Drawing Room,” Traditional Home (June/July 2002) |
| Messenger,
Robert. “Gallery-Going,” The New York Sun, March
18, 2004 |
| Naves,
Mario, “Endless Landscapes,” The New York Observer
(March 29, 2004) |
TEACHING POSITIONS
| New School University, New York,
New York 2000 |
| New
York Studio School Drawing Marathon 2001 |
|