EDUCATION
| 1991 |
M.S.W.
University of Georgia School of Social Work |
| 1985 |
B.F.A.
Atlanta College of Art |
| 1983-4 |
New
York Studio School |
| 1962 |
Born,
Atlanta, GA. Residence in London since 2000. |
ONE-PERSON
EXHIBITIONS
| 2005 |
Elizabeth
Harris gallery, New York |
| 2004 |
"Recently",
Sandler Hudson Gallery, Atlanta |
| 2003 |
Bill
Maynes Gallery, New York |
| 2001 |
"9
Paintings, 100 Drawings, 3 Figures, 273 Storyboards" |
|
Sandler
Hudson
Gallery,
Atlanta |
|
Arthur
Roger
Gallery, New
Orleans |
| 2000 |
Bill
Maynes Gallery, New York |
| 1998 |
Bill
Maynes Gallery, New York |
|
Arthur
Roger
Gallery, New
Orleans |
|
Sandler
Hudson
Gallery,
Atlanta |
| 1996 |
Arthur
Roger Gallery, New Orleans |
| 1995 |
Tatischeff/Rodgers
Gallery, Santa Monica |
|
Heath
Gallery,
Atlanta |
| 1994 |
Gasperi
Gallery, New Orleans |
|
Sandler
Hudson
Gallery,
Atlanta |
| 1993 |
Heath
Gallery, Atlanta |
| 1992 |
"Paintings
and Sculpture," The Hambridge Center Gallery |
|
Rabun
Gap, Georgia |
| 1991 |
Heath
Gallery, Atlanta |
| 1990 |
Visual
Arts Department, University of Georgia, Athens, GA |
|
Athens
Paintings,
Strand
Gallery, Athens, GA |
| 1989 |
Heath
Gallery, Atlanta |
GROUP
EXHIBITIONS
| 2005 |
"Accelerating
Sequence: Artists Observe Time and Aging", Museum
of Contemporary
Art, Atlanta, GA |
| 2004 |
"Striking
Comparisons: From the MOCA GA Permanent Collection", Museum
of
Contemporary Art, Atlanta |
|
"On
Paper", Sandler
Hudson
Gallery, Atlanta, GA |
|
"Familiar
&
New
Talent", Jan Baum Gallery, Los Angeles, CA |
| 2003 |
Inaugural
Exhibition, Museum of Contemporary Art of GA, Atlanta,
GA Spruill Arts Center,
Atlanta, GA |
| 2002 |
"Dangerous
Corners,", curated by James Huntington-Whiteley,
Gallery 27, London |
| 2000 |
"Telling
Stories," California State University, Chico, CA |
|
"Private
Worlds,"
Art in
General, New York |
| 1999 |
"Synergy,"
Bennington College, Bennington, VT |
|
"Contemporary
American
Artists," curated by Mark Lambrecht, Campo & Campo,
Antwerp |
|
"Up
and Coming,"
Elizabeth
Harris Gallery, New York
1998 - Jan Baum Gallery, Los Angeles |
|
Benefit
Auction,
New Museum
for Contemporary Art, New York |
|
"When
Tears Come
Down Like
Falling Rain," City East Gallery, New York |
| 1997 |
"Small
Scale," Joseph Helman Gallery, New York |
| 1996 |
Benefit
Auction, New Museum for Contemorary Art, New York |
|
"End
of the
Century," City
Without Walls Gallery, Newark, NJ |
| 1995 |
"Harvest
Moon," Tatischeff/Rodgers Gallery, Santa Monica |
|
"X-Sightings,"
Anderson
Gallery, Buffalo |
|
"1995
New Orleans
Triennial,"curated by Dan Cameron, New Orleans Museum
of
Art |
|
"Happy
Valley,"
curated by Dan
Cameron, AC Project Room, New York |
|
"SAF/NAF
Fellowships
in
Painting, Drawing and Works on Paper, 1994," curated
by
Bruce
Lineker, Southeastern Center for Contemporary Art, Winston-Salem,
NC |
| 1994 |
"November
Show,"curated by Lisa Phillips, Atlanta |
|
"Local
Sex, Love, and
Death,"
curated by Julia Fenton, Nexus Contemporary
Art
Center, Atlanta |
| 1993 |
City
Gallery at Chastain, Atlanta, (two person exhibition) |
| 1992 |
"Variations
on Paper", Heath Gallery, Atlanta |
|
"Southern
Expressions: Tales
Untold," curated by Susan Krane and Carrie Pryzbilla,
High
Museum of Art, Atlanta |
| 1990 |
"Dealing
with Death," New Visions Gallery, Atlanta, X-Art
Gallery, New Orleans |
| 1993 |
"Three
Painters," The Castle, Atlanta, |
|
"Artists
in
Georgia,", LaGrange
Museum, LaGrange, GA |
|
 |
COLLECTIONS
| Metropolitan
Museum of Art |
Public
collections: The Museum of Contemporary Art of Georgia, Atlanta,
GA
|
AWARDS
| 2000 |
Rockefeller
Foundation Residency at the Bellagio Study Center,
Bellagio, Italy,
Spring |
|
Tanne'
Foundation,
Grant Award,
Boston, MA |
| 1998 |
Camargo
Foundation Fellowship, Fall |
| 1994 |
Southern
Arts Federation/National Endowment for the Arts
Fellowship |
| 1993 |
Georgia
Council for the Arts, Individual Artist's Grant |
|
Bureau
of Cultural
Affairs,
Atlanta Individual Artist's Grant |
|
Fulton
County Arts
Council,
Individual Artist's Grant |
BIBLIOGRAPHY
| 2005 |
Mullarkey,
Maureen, catalogue esay for exhibit at Elizabeth
Harris Gallery, New York |
|
Cullum,
Jerry, "MOCA
Muses on
Realities, Ironies of growing Old," The Journal
Constitution,
Atlanta,
March 6 |
| 2003 |
Smith,
Roberta, "David Ivie at Bill Maynes," The New York Times,
March 28 |
|
_________.
"Country
Scenes:
David Ivie," The New York Sun, March 14 (illustration)
|
| 2002 |
“Frailty”,
film released by Lion's Gate
productions, (DVD documentary about
the
“making of” and various film reviews) |
| 2001 |
Cullum,
Jerry, “Film Stills From An Imagined Gothic
Melodrama”,The Atlanta
Journal
–Constitution, October 5 |
| 2000 |
Glueck,
Grace, "Private Worlds," The New York Times, June 30 |
|
_________.
"Goings
on Around
Town," The New Yorker, June 30 |
|
Schmerler,
Sarah,
“David Ivie, ‘Pale',” Time Out , March
23, (illus.) |
|
Nahas,
Dominique,
“Pale”, catalogue essay for exhibit at Bill Maynes Gallery,
New York |
| 1998 |
Cotter,
Holland, The New York Times, exhibition review, March 13 |
|
Diehl,
Carol, "David
Ivie at
Bill Maynes," Art in America, (illus.), June |
|
Fox,
Catherine, "When
Tears Come
Down Like Falling Rain," The Atlanta Journal
and
Constitution, April 30 |
|
Rubin,
Jeff, "David
Ivie at
Arthur Roger," The New Orleans Art Review, (illus.),
The New
Orleans Art Review, January-February |
|
Bookhardt,
D. Eric,
"Peripheral
Vision, Parallel Worlds," Gambit: New Orleans
Weekly,
January 19 |
|
Stearns,
Robert,
"David Ivie,"
exhibition catalogue, Bill Maynes Gallery,
New York,
March |
| 1996 |
Fenster,
Bob, "Last Supper, A Digest of Dark Satire," The
Arizona Republic, April 28 |
|
Ringel,
Eleanor,
"Supper
Director May Be Adding New Title to Resume Art Booster,"
The Atlanta
Journal Constitution, (illus.), April 21 |
|
_________.
"Talking
Pictures:
End of the Century," exhibition catalogue, City
Without Walls,
Newark, NJ |
| 1995 |
Vetrocq,
Marcia E., "Report from New Orleans: Dixie Buffet," Art
in America,
(illus.),
September |
|
Calas,
Terrington.
"Triennial,"
The New Orleans Art Review, (illus.) May-June |
|
_________.
"1995 New
Orleans
Triennial: Selected by Dan Cameron, exhibition
catalogue,
(illus.)," New Orleans Museum of Art, March-April |
|
Paxton,
John, "From
the
Collection of John and Mary Lou Paxton," Exhibtion
catalogue,
(illus.), Rancho Santa Fe, CA |
|
Vail-Caldwell,
Priscilla,
"Priscilla Vail-Caldwell Speaks with Whitney's Lisa Phillips
on Atlanta's
State of the Art," Contents: Magazine of The Arts," Contents:
Magazine of
the Arts, (illus.), January |
| 1994 |
Patterson,
Tom, "Fellowship Artists Set SECCA Aglow with Style,
Color," Winston-Salem
Journal, (illus.), December 11 |
|
Cullum,
Jerry,
"S.A.F./N.E.A.
1994 Fellowships," (illus.), New Art Examiner, November |
|
Humphrey,
Jacqueline,
"Exhibit
Contains Southern Rural Sensibility," Raleigh
News and
Record, November 11 |
|
Lineker,
Bruce,
S.A.F./N.E.A.
Fellowship exhibition catalogue, (illus.) Southeastern
Center
for Contemporary Art and Southern Arts Federation, Winston-Salem,
NC |
|
Fenton,
Julia, "Local
Sex, Love,
and Death" exhibition catalogue, (illus.), Nexus
Contemporary
Art Center, Atlanta, GA |
|
Waddington,
Chris,
"Dream
Weavers Offer Eye-Opening Work," New Orleans
Times-Picayune, (illusj.), May 14 |
|
Bookhardt,
Eric D.,
"Little
Murders," Gambit:New Orleans Weekly, (illus.), April
20 |
|
Jinkner-Lloyd,
Amy,
"Point of
View," Creative Loafing, (illus.), Atlanta, March
19 |
|
_________.
"David Ivie
at Heath and City Gallery at Chastain," Art in
America,
(illus.),
February |
| 1993 |
Fox,
Catherine, "Conflict, Fear Gives a Theraputic Edge to
Painter's Tales," The Atlanta
Journal/Constitution, (illus.), September 24 |
|
Murray,
Steve, "David
Ivie:
"Twenty and Four Paintings," exhibition catalogue,
(illus.),
Heath Gallery, Atlanta |
| 1992 |
Krane,
Susan and Pryzbilla, Carrie, "Southern Expressions: Tales
Untold," exhibition
catalogue,
(illus.), High Museum of Art, Atlanta |
| 1991 |
Fox,
Catherine, "Exercises for Imagination Unravel in Tales
Untold," The Atlanta
Journal
Constitution, October 31 |
|
Murray,
Steve,
"Paintings
Featured on Small Canvases Create Big Drama for
Artist
David
Ivie," The Atlanta Journal/Consitution, (illus.), October 27 |
|